Thursday, May 28, 2015

Developing Effective Communication Skills

Developing Effective Communication Skills
A practicing oncologist likely uses just about every medium to communicate. They talk on the phone, send e-mail messages, converse one-on-one, participate in meetings, and give verbal and written orders. And they communicate with many audiences—patients and their families, referring physicians, and office staff.
But are you communicating effectively? How do you handle differing or challenging perspectives? Are you hesitant to disagree with others, especially those in authority? Do you find meetings are a waste of time? What impression does your communication style make on the members of your group?

Be an Active Listener
The starting place for effective communication is effective listening. “Active listening is listening with all of one's senses,” says physician communication expert Kenneth H. Cohn, MD, MBA, FACS. “It's listening with one's eyes as well as one's years. Only 8% of communication is related to content—the rest pertains to body language and tone of voice.” A practicing surgeon as well as a consultant, Cohn is the author ofBetter Communication for Better Care and Collaborate for Success!
Kenneth H. Cohn, MD, MBA, FACS
Cohn suggests creating a setting in which “listening can be accommodating.” For example, don't have a conversation when one person is standing and one person is sitting—make sure your eyes are at the same level. Eliminate physical barriers, such as a desk, between you and the other party. Acknowledge the speaker with your own body language: lean forward slightly and maintain eye contact. Avoid crossing your arms, which conveys a guarded stance and may suggest arrogance, dislike, or disagreement.
When someone is speaking, put a premium on “being present.” Take a deep breath (or drink some water to keep from speaking) and create a mental and emotional connection between you and the speaker. “This is not a time for multitasking, but to devote all the time to that one person,” Cohn advises. “If you are thinking about the next thing you have to do or, worse, the next thing you plan to say, you aren't actively listening.”
Suspending judgment is also part of active listening, according to Cohn. Encourage the speaker to fully express herself or himself—free of interruption, criticism, or direction. Show your interest by inviting the speaker to say more with expressions such as “Can you tell me more about it?” or “I'd like to hear about that.”
Finally, reflect back to the speaker your understanding of what has been said, and invite elaboration and clarification. Responding is an integral part of active listening and is especially important in situations involving conflict.
In active listening, through both words and nonverbal behavior, you convey these messages to the speaker:
·         I understand your problem
·         I know how you feel about it
·         I am interested in what you are saying
·         I am not judging you
Communication Is a Process
Effective communication requires paying attention to an entire process, not just the content of the message. When you are the messenger in this process, you should consider potential barriers at several stages that can keep your intended audience from receiving your message.
Be aware of how your own attitudes, emotions, knowledge, and credibility with the receiver might impede or alter whether and how your message is received. Be aware of your own body language when speaking. Consider the attitudes and knowledge of your intended audience as well. Diversity in age, sex, and ethnicity or race adds to the communication challenges, as do different training backgrounds.
Individuals from different cultures may assign very different meanings to facial expressions, use of space, and, especially, gestures. For example, in some Asian cultures women learn that it is disrespectful to look people in the eye and so they tend to have downcast eyes during a conversation. But in the United States, this body language could be misinterpreted as a lack of interest or a lack of attention.
Choose the right medium for the message you want to communicate. E-mail or phone call? Personal visit? Group discussion at a meeting? Notes in the margin or a typed review? Sometimes more than one medium is appropriate, such as when you give the patient written material to reinforce what you have said, or when you follow-up a telephone conversation with an e-mail beginning, “As we discussed.…”
For one-on-one communication, the setting and timing can be critical to communicating effectively. Is a chat in the corridor OK, or should this be a closed-door discussion? In your office or over lunch? Consider the mindset and milieu of the communication receiver. Defer giving complex information on someone's first day back from vacation or if you are aware of situations that may be anxiety-producing for that individual. Similarly, when calling someone on the phone, ask initially if this is a convenient time to talk. Offer to set a specific time to call back later.
Finally, organize content of the message you want to communicate. Make sure the information you are trying to convey is not too complex or lengthy for either the medium you are using or the audience. Use language appropriate for the audience. With patients, avoid medical jargon.
Be Attuned to Body Language—Your Own and Others
Many nonverbal cues such as laughing, gasping, shoulder shrugging, and scowling have meanings that are well understood in our culture. But the meaning of some of these other more subtle behaviors may not be as well known.1
Hand movements. Our hands are our most expressive body parts, conveying even more than our faces. In a conversation, moving your hand behind your head usually reflects negative thoughts, feelings, and moods. It may be a sign of uncertainty, conflict, disagreement, frustration, anger, or dislike. Leaning back and clasping both hands behind the neck is often a sign of dominance.
Blank face. Though theoretically expressionless, a blank face sends a strong do not disturb message and is a subtle sign to others to keep a distance. Moreover, many faces have naturally down turned lips and creases of frown lines, making an otherwise blank face appear angry or disapproving.
Smiling. Although a smile may show happiness, it is subject to conscious control. In the United States and other societies, for example, we are taught to smile whether or not we actually feel happy, such as in giving a courteous greeting.
Tilting the head back. Lifting the chin and looking down the nose are used throughout the world as nonverbal signs of superiority, arrogance, and disdain.
Parting the lips. Suddenly parting one's lips signals mild surprise, uncertainty, or unvoiced disagreement.
Lip compression. Pressing the lips together into a thin line may signal the onset of anger, dislike, grief, sadness, or uncertainty.
Build a Team Culture
In oncology, as in most medical practices, much of the work is done by teams. Communication within a team calls for clarifying goals, structuring responsibilities, and giving and receiving credible feedback.
“Physicians in general are at a disadvantage because we haven't been trained in team communication,” says Cohn. He points out that when he was in business school, as much as 30% to 50% of a grade came from team projects. “But how much of my grade in medical school was from team projects? Zero.”
The lack of systematic education about how teams work is the biggest hurdle for physicians in building a team culture, according to Cohn. “We've learned team behaviors from our clinical mentors, who also had no formal team training. The styles we learn most in residency training are ‘command and control’ and the ‘pace setting approach,’ in which the leader doesn't specify what the expectations are, but just expects people to follow his or her example.”
Cohn says that both of those styles limit team cohesion. “Recognizing one's lack of training is the first step [in overcoming the hurdle], then understanding that one can learn these skills. Listening, showing sincere empathy, and being willing to experiment with new leadership styles, such as coaching and developing a shared vision for the future are key.”
Stated goals and team values. An effective team is one in which everyone works toward a common goal. This goal should be

major components of VLE

Major components

The following are the basic or the main components required for a virtual learning environment or online education curriculum to take place
A VLE may include some or all of the following elements:
  • The course syllabus
  • Administrative information about the course: prerequisites, credits, registration, payments, physical sessions, and contact information for the instructor.
  • A notice board for current information about the ongoing course
  • The basic content of some or all of the course; the complete course for distance learning applications, or some part of it, when used as a portion of a conventional course. This normally includes material such as copies of lecture in the form of text, audio, or video presentations, and the supporting visual presentations
  • Additional resources, either integrated or as links to outside resources. This typically consists of supplementary reading, or innovative equivalents for it.
  • Self-assessment quizzes or analogous devices, normally scored automatically
  • Formal assessment functions, such as examinations, essay submission, or presentation of projects. this now frequently includes components to support peer assessment
  • Support for communications, including e-mailthreaded discussionschat roomsTwitter and other media, sometimes with the instructor or an assistant acting as moderator. Additional elements include wikisblogsRSS and 3D virtual learning spaces.
  • Management of access rights for instructors, their assistants, course support staff, and students
  • Documentation and statistics as required for institutional administration and quality control
  • Authoring tools for creating the necessary documents by the instructor, and, usually, submissions by the students
  • Provision for the necessary hyperlinks to create a unified presentation to the students.
A VLE is normally not designed for a specific course or subject, but is capable of supporting multiple courses over the full range of the academic program, giving a consistent interface within the institution and—to some degree—with other institutions using the system. 


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Presentation Aids

Presentation Aids




Presentational aids are...

Presentational aids are items other than the words of a speech that are used to support the intent of the speaker. In particular, they can be visual aids, audio aids or other supporting technology.
Visual aids include projectors, physical objects,. photographs, diagrams, charts and so on. Audio aids include music, conversations, recordings, etc. Technology that can be used includes computers, lights, microphones and recorders.
Actually, the name 'presentational aid' is not the best description as, whilst they do help the presenter, their main purpose is to help the audience.

Why use presentational aids?

Whilst the words you use and the way that you say them are of central importance, you can gain attention and engage the interest of your audience by using various other devices.
There are also additional benefits, including giving you confidence and addressing different learning styles of your audience.
Presentational aids should not just be thrown in, sprinkled like confetti at a wedding. Their purpose and value should be first understood and then used appropriately to enhance the audience's experience (and not just overwhelm them).

Types of presentational aid

There is a wide range of presentational aids that can be used. Here are a few.

Objects

Physical things can be very useful and create a very visceral impact as you use them as direct examples or as metaphors for points you want to make.

Photographs

Photographs provide a picture of reality and are easily included in slides where they can be used illustrate a point or just provide a background. They are good for illustrating action, evoking emotion and more. When you show a person doing something, your audience may well empathize with the image, putting themselves in the place of that person.
A disadvantage of photos is that the important detail can be lost so it may be important to ensure they are projected on a large screen.
It is also important with photographs of people that any legal constraints, such as privacy laws, are considered. If in doubt, start by considering whether the person may or may not be happy to be in your photograph. Whilst it is often ok to have people in the background, when they are the subject and when you are using them to promote something, then you may be on difficult ground.

Diagrams

Diagrams illustrate concepts and ideas by using shapes rather than words. Shapes can have different internal angles and use color with specific effect, such as using red to make something stand out or imply danger. They can be positioned relative to one another for subtle effect, for example higher up or more central often means 'more important'.
As well as projected, a diagram may be drawn on a flipchart or whiteboard. Whilst not as neat as a computer diagram, this appears more spontaneous and can be used to enhance your own credibility.

Graphs

Graphs and charts are diagrams that interpret data, visually. They include line graph, bar charts, pie charts, radar diagrams and so on.
Graphs are often much better than tables at showing meaning and communicating the value of data. They do this best by such as showing how some numbers are relatively larger than others, how numbers change over time, and so on.

Charts

Non-numeric charts can show a number of different things, in particular where individual items have distinct relationships with one another.
Flowcharts show the relationships between different activities. Organizational charts show who reports to who. Network diagrams show many-to-many relationships.

Maps

Maps are variants of charts that are used to show where things are relative to one another. They may be to scale or simply relative (such as the famous London Underground map).
Maps can of course be geographic, but they can also be any form of showing how things relate and how to get from A to B, for example you could produce a figurative map of how to go from an inexperienced speaker to a skilled presenter.

Tips for making presentational aids work

Here are a few tips to help you make your presentational aids work well for you.

Keep them simple

If you make your presentational aids complex then they are less likely to be understood. Remember that your audience have to 'get it' quite quickly so the things you are using should be very simple and need little interpretation.

Make them visible

If you are in a large hall, them something small in your hand will not be seen and so have less impact. Big things, whether physical or projected are much easier to see. They also have a greater impact.

Integrate them

The presentational aid is not an end in itself. It is to support a point you are making, so ensure you clearly connect the two together, revealing the purpose of the aid with due clarity.

Talk to the audience

Present to the audience, not to the presentational aid. It is a common trap for speakers to look at the aid not at the people to whom they are speaking.

Practice!

Magicians practice endlessly at sleight of hand to make their tricks seem effortless. You probably do not need to practice quite as much, though you should take time to be comfortable with the presentational aids you are using.